Spent the evening with Matthew James Thomas and Patina Miller at the @pippinmusical cast recording. #joinus (at MSR Studios)
The Glamsmash boys on set with Einstein, star of client Best Pet Rx Pharmacy’s two new “how to” videos! A really cute dog ALWAYS makes a shoot so much fun.
Popular Culturally: Spider-Man + My Parents Gave Me Some CD’s
So, I was supposed to write something last week and I didn’t because I got really busy. And I went home for a few days (plus Memphis). Plus I bought a new computer (baller!). Anyway…
Film: The Amazing Spider-Man is pretty fun! Andrew Garfield and Emma Stone are great and Uncle President Bartlett is pretty inspired casting (Bartlett For America, son!). I didn’t really care about the mystery/subplot/whatever with his parents’ death (or the script; 3 screenwriters… sheesh) but I guess they’ll flesh it out more later since they’re making a trilogy as that is Hollywood’s wont. Some cheesy moments aside, I totally think it’s worth checking out.
TV: As evidenced by the above, I like Aaron Sorkin. The West Wing is one of my favorite things ever so, even though I recognize a number of the criticisms being lobbed at it, I’m happy happy to wait and see before giving up on The Newsroom. So let’s be patient and celebrate Sam Waterston yelling at people on my HBOGO (baller!).
Music/My Parents Gave Me Some CD’s: I went back home to Tennessee last weekend (baller!) and my parents gave me some CD’s. Two of which, Van Halen’s A Different Kind of Truth and Rush’s Clockwork Angels are awesome! Van Halen sounds like Van Halen again! Diamond Dave’s gettin’ a little older but holy shit Eddie and Alex sound insane again! And the Rush record fucking rocks! If you like either (IF NOT, WHY NOT?!), check them out.
Summer Project: Murder a la Mod is kind of De Palma’s version of Rashomon and it’s pretty cool! Show offy, clever, and a good companion piece to Blow Out. This came with my Criterion Blu Ray (baller!) of Blow Out and it really makes me appreciate that movie even more. It’s really cool to see how much of the De Palma we know was already present this first time out. Next is Greetings & Hi, Mom! See you next week!
Pop Culturally: This Week in Review
Stuff has happened popular culturally (still typing this shit, I see) and these are my thoughts. In one of our last posts, Chris talked about 3-D, its use, and overuse. To add to that discussion, here’s one article from Mike D’Angelo at the AV Club and another from the writer/director of Brick, and the upcoming Looper (and Glamsmash favorite), Rian Johnson. Both are well reasoned and well worth checking out. AND since both articles were posted after ours, we will baselessly assume they ripped us off. No need to check on that.
Film: I saw Prometheus and, while it has some fun stuff, I just didn’t care for it. It totally looks great and I thought it was a smart idea but then the expert biologist guy tried to pet the clearly angry dick monster so there you go. But Fassy’s the shit and Ridley’s the best at world building. Just wasn’t my favorite.
Music: Japandroids’ Celebration Rock is getting lots of play on my iTunes. So are the new records from Beach House (Bloom) & Tennis (Young & Old). And I’ve finally (FINALLY!) started listening to Yo La Tengo and yes it’s wonderful and yes I feel like an idiot for waiting so long. A dumb dumb idiot.
TV: Breaking Bad comes back next month! And this picture is really cool so…
Summer Project: Summer is a great time to catch up on stuff I’ve missed popular culturally (this is stupid, I’m just gonna start calling the blog Popular Culturally – ugh). So on top of what I’m already catching up on (Mad Men, Girls, Game of Thrones), I’m also gonna catch up with a director whose work I haven’t seen that much of – Brian De Palma (that sounds like I’m gonna hang out with him, I’m not, though I’m open to it). I’ve loved some of De Palma’s work – Blow Out is the greatest (ask literally anyone) – but for whatever reason, I haven’t delved into his stuff. So this summer, starting next week, I’m gonna watch and write a little something about each of his movies from Murder a la Mod up through Redacted. I may have to cheat and rely on past feelings since I’ve seen some of these already (Scarface, The Untouchables) so we’ll see. Anyway, it should be fun. See you next week!
Hello Giggles on Feminism, Baby Animals, & Tweens
It began as the girl alternative to Funny or Die: a place where smart, independent, creative women could spread their brand of comedy on the web. A year in, ladyblogging site Hello Giggles may boast as much earnestness as comedy, but it is — in the words of its founding trio — a rare place on the web where negativity isn’t tolerated. “It’s positivity, all the time,” say actress Zooey Deschanel, producer Sophia Rossi, and writer Molly McAleer. On the eve of the site’s one-year anniversary, Tumblr sat down with the women to talk feminism, baby animals, and what they have in common with tweens.
Tony Predictions, Part Deux
I know you all were wondering what the rest of my Tony predictions are so here it goes….
Best Book of a musical
Well as much fun as I had at the production of “Lysistrata Jones”, I must say that “Once” is going to carry this award away. However, there has been talk of the cleverness that Joe DiPietro did with the book for “Nice Work If You Can Get It” and could steal it away. But I will go with “Once”.
Nominees:
“Lysistrata Jones,” Douglas Carter Beane
“Newsies,” Harvey Fierstein
“Nice Work If You Can Get It,” Joe DiPietro
“Once,” Enda Walsh
Best Original score (music and/or lyrics) written for the theater
This one is too easy, “Once Man, Two Guvnors” is going to blow this category out of the water. However, many people believe “Newsies” will win. But the music in “One Man…” was just down right fantastic. Weird that it is a play and not a musical right?
“Bonnie & Clyde,” music: Frank Wildhorn; lyrics: Don Black
“Newsies,” music: Alan Menken; lyrics: Jack Feldman
“One Man, Two Guvnors,” music & lyrics: Grant Olding
“Peter and the Starcatcher,” music: Wayne Barker; lyrics: Rick Elice
Best Performance by an actor in a leading role in a play
Though he is going up against some of the greatest names in theater history, James Corden will come away with the trophy with his brilliant work in “One Man, Two Guvnors.” He has to be the funniest man to cross a Broadway stage in decades.
James Corden, “One Man, Two Guvnors”
Philip Seymour Hoffman, “Arthur Miller’s Death of a Salesman”
James Earl Jones, “Gore Vidal’s The Best Man”
Frank Langella, “Man and Boy”
John Lithgow, “The Columnist”
Best Performance by an actress in a leading role in a play
Word around town is that Nina Arianda is a front runner for this award, but I must say that Linda Lavin gave one of the strongest performances of the season in my opinion. But the Tonys see a bright future in Nina, so I predict she gets it.
Nominees:
Nina Arianda, “Venus in Fur”
Tracie Bennett, “End of the Rainbow”
Stockard Channing, “Other Desert Cities”
Linda Lavin, “The Lyons”
Cynthia Nixon, “Wit”
Best Performance by an actor in a leading role in a musical
I personally thought Danny Burnstein did better work in the 2008 revival of “South Pacific” than he did in this year’s “Follies” but alas he won the Drama Desk for it. My gut has to go with Jeremy Jordan of “Newsies” though as I think Broadway is in love with this young man. He has a bright future.
Nominees:
Danny Burstein, “Follies”
Jeremy Jordan, “Newsies”
Steve Kazee, “Once”
Norm Lewis, “The Gershwins’ Porgy and Bess”
Ron Raines, “Follies”
Best Performance by an actress in a leading role in a musical
Oh Audra, Audra, Audra… how you hurt me so. Audra might be the front runner for this category, but since she has missed so many performances during Tony voting, I am not entirely sure they got to see her performance (I sure didn’t). So my vote is for Cristin Milioti, who does a wonderful job in “Once” but I am mailing pulling for her because I have a giant crush.
Nominees:
Jan Maxwell, “Follies”
Audra McDonald, “The Gershwins’ Porgy and Bess”
Cristin Milioti, “Once”
Kelli O’Hara, “Nice Work If You Can Get It”
Laura Osnes, “Bonnie & Clyde”
Best Performance by an actor in a featured role in a play
Yep, Christian Borle is a master of the stage and steals the show in “Peter and the Starcatcher” as Stash. If the Tonys want to do right, they will give it to this guy. Brilliant work and a must see.
Nominees:
Christian Borle, “Peter and the Starcatcher”
Michael Cumpsty, “End of the Rainbow”
Tom Edden, “One Man, Two Guvnors”
Andrew Garfield, “Arthur Miller’s Death of a Salesman”
Jeremy Shamos, “Clybourne Park”
Best Performance by an actress in a featured role in a play
Not only is Judith Light one of the nicest professional actors I have ever met, but she ALWAYS does such great work. She is phenomenal to watch, and that is no different in “Other Desert Cities.” She should win. My runner-up would be Celia Keenan-Bolger who gives 110% in “Peter and the Starcatcher.”
Nominees:
Linda Emond, “Arthur Miller’s Death of a Salesman”
Spencer Kayden, “Don’t Dress for Dinner”
Celia Keenan-Bolger, “Peter and the Starcatcher”
Judith Light, “Other Desert Cities”
Condola Rashad, “Stick Fly”
Best Performance by an actor in a featured role in a musical
I don’t have anyone I am really pulling for in this category. I have seen most of their work, so if I had to pick one I would say Michael McGrath. He has such spot on comedic timing and deserves a Tony for his professionalism and work ethic.
Nominees:
Phillip Boykin, “The Gershwins’ Porgy and Bess”
Michael Cerveris, “Evita”
David Alan Grier, “The Gershwins’ Porgy and Bess”
Michael McGrath, “Nice Work If You Can Get It”
Josh Young, “Jesus Christ Superstar”
Performance by an actress in a featured role in a musical
Well, newcomer Da’Vine Joy Randolph is a true gem in “Ghost: the Musical” and you cannot help but fall in love with her sauciness. However, Judy Kaye, is a veteran of the stage and can do no wrong in “Nice Work If You Can Get It” so I think she will be the favorite. On another note, Jessie Mueller has the voice of an angel.
Nominees:
Elizabeth A. Davis, “Once”
Jayne Houdyshell, “Follies”
Judy Kaye, “Nice Work If You Can Get It”
Jessie Mueller, “On a Clear Day You Can See Forever”
Da’Vine Joy Randolph, “Ghost the Musical”
Best Director of a Play
I think each and every one of these nominees could win. They did such a great job with each nominated production. However, the inventiveness and unique staging of “Peter and the Starcatcher” wins me over, so I select the partnership of Alex Timbers and Roger Rees.
Nominees:
Nicholas Hytner, “One Man, Two Guvnors”
Pam MacKinnon, “Clybourne Park”
Mike Nichols, “Death of a Salesman”
Roger Rees and Alex Timbers, “Peter and the Starcatcher”
Best Director of a Musical
Well, it is a battle between the two Js. And as much as Glamsmash will be rooting for the ever awesome “Newsies,” I think John Tiffany’s direction in “Once” will be recognized as the best on Tony night.
Nominees:
Jeff Calhoun, “Newsies”
Kathleen Marshall, “Nice Work If You Can Get It”
Diane Paulus, “The Gershwins’ Porgy and Bess”
John Tiffany, “Once”
Best Choreography
No one will be able to compete with the energy and sheer command of the stage in the “Newsies” choreography. Christopher Gattelli is destined for a Tony on Sunday.
Nominees:
Rob Ashford, “Evita”
Christopher Gattelli, “Newsies”
Steven Hoggett, “Once”
Kathleen Marshall, “Nice Work If You Can Get It”
Best Orchestrations
Though the “Porgy and Bess” orchestrations are beautiful and “Once” has been worn out on my iPod, I must say that “Newsies” will take this award not only because of the perfection they have achieved in the orchestrations, but because there is no better sound on Broadway when Steven Malone is leading the “Newsies” orchestra.
Nominees:
William David Brohn and Christopher Jahnke, “The Gershwins’ Porgy and Bess”
Bill Elliott, “Nice Work If You Can Get It”
Martin Lowe, “Once”
Danny Troob, “Newsies”
Well, as much as I want to get into the technical categories, I think this blog has gotten way too long for the average reader. I would hate to go over 2000 words, so I think I am going to end the Tony predictions here. Feel free to give your personal thoughts and predictions by commenting to this post.
Much love!
Ryan Chittaphong
Executive Director, Glamsmash Productions
